![]() The other way is arguably the more creative way, and is what, intuitively, one expects to pay a book designer to do: dope out perfect matches for each book he or she works on.Ī few of my favorite type superfamilies are Fontin/ Fontin Sans, Liberation Serif/ LiberationSans, and Scala Pro/ Scala Sans Pro. ![]() ![]() First, the lazy - though not necessarily uninteresting way - is to choose superfamilies comprised of both serif and sans serif fonts. I know of two ways to select typefaces for book projects. Fonts* used on a book cover make the initial reading impression and, when properly chosen, prepare readers for how the reading experience will feel when they turn to the first page. ![]()
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